Más allá del naturalismo y las bellas enfermas: "el velo de la purísima" (s/f), de Adela Zamudio y "A caolha" (1903), de Júlia Lopes de Almeida y la representación de la enfermedad como metáfora crítica de la modernidad industrial en el entre siglos latinoamericano
This tool is under development and it is available in Beta Test version
This tool is under development and it was published with the objective to test the usage and performance. All the indicators are real and they are gradually being loaded. Slowness and out of service problems may occur in this version.
